Diggin My Potatoes / Bury My Body (1956) . Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. & Feb. 24, 1957) The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. With three Number 1s (Cumberland Gap, Gamblin Man/ Putting On The Style, My Old Mans A Dustman) as well as having hits that peaked at every position in the Top 10. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." But Wright's best single moment comes in his fiery but all too brief electric guitar solo during "Cumberland Gap." The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Long Summer Day. Putting On The Style. By 1980, he was making regular concert appearances again, and a new album with Barber followed. Showcase . You can search for tracks and LP's by title. The word, according to Donegan, was suggested by Ken Colyer's brother Bill, who remembered an outfit called the Dan Burley Skiffle Group, based in Chicago in the '40s. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Lonnie Donegan | Discography | Discogs Putting On The Style Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Lonnie Donegan MBE (29 April 1931 3 November 2002) was a British "skiffle" musician, with more than 20 UK Top 30 hits to his name. WebLonnie Donegan Albums: songs, discography, biography, and listening guide - Rate Your Music Lonnie Donegan Born 29 April 1931, Glasgow, Glasgow City, United Kingdom Died He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." His taste in jazz went toward Louis Armstrong and Gene Krupa. Lonnie made his chart debut in January 1956 with Rock Island Line. His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. In 1952, he formed his first own group, the Tony Donegan Jazzband, which found some work around London. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. 2019, Pop - Released by All I Have To Do Is Dream on 15 nov. 2019, Pop - Released by Sanctuary Records on 8 sep. 2014, Country - Released by Black Marlin Records on 29 nov. 2014, Country - Released by Black Sheep Music on 4 jan. 2012, Jazz - Released by Hallmark on 5 mrt. The name stuck. Cumberland Gap Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. By mid-1958, however, skiffle was waning rapidly as a commercial sound, but Donegan continued to appear on the charts right into 1962. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. He continued to appear regularly in the UK charts until 1962, before succumbing to the arrival of The Beatles and beat music. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. WebLonnie Donegan will always be remembered for his showman ship that for the younger ones looking on especially in England, such as the Beatles and the list goes on gave them hope. WebAfter an absence of 15 years or more as a major name in British rock, Donegan re-emerged with this '70s version of his old skiffle sound (why nobody tried this with Donegan seven years earlier, when Mungo Jerry hit with their updated skiffle number "In the Summertime," is anyone's guess). He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Lumbered WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. More concert tours followed, along with a move from Florida to Spain. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." Two tracks were omitted from the original recording. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. Thanks in advance. Nobody's Child The UK King of Skiffle, Lonnie Donegan was born Anthony James Donegan MBE (April 29 1931 November 3 2002) in Bridgeton, Glasgow, before joing Chris Barbers Big Jazz Band. Tom Dooley (Nov - 1958) Tops at Loving You 6. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Apart from the excellent sound, the surprising element of this body of songs is just how bracing it remains almost 50 years after it was recorded -- the tendency is to dismiss the skiffle boom as an embarrassing fluke, but in fact the level of musicianship achieved by Donegan and company (especially guitarist/singer Dick Bishop) was exceptional, and their feel for the material was a match for that of any white Americans this side of Bob Dylan. By 1980, he was making regular concert appearances again, and a new album with Barber followed. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The record was a hit, racking up sales in the hundreds of thousands. More than 100 million titles available in unlimited streaming in high sound quality. Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. utmx_section("Personal Footer"). Smith&Co SSCD1172 LD9. WebScottish-born singer and guitarist who was the greatest star of skiffle, the souped-up folk style that predated British rock & roll. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. function utmx_section(){}function utmx(){} Albums include Lonnie Donegan Showcase, Rock Island Line / John Henry, and The Skiffle Sessions: Live in Belfast. Encouraged by the initial sales of New Orleans Joy, the company decided to push its luck by lifting individual songs off the album as singles. Aint No More Cane On The Brazos. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. Carter's "Wabash Cannonball." Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. He appeared on television in the United States on the Perry Como Show and the Paul Winchell Show. Returning to the UK, he recorded his debut album, Lonnie Donegan Showcase, in summer 1956, with songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The LP sold hundreds of thousands. Some of the songs from the original Showcase album do show a certain confidence and assertiveness seeping in, moving the music in more of a slick, popular direction. '.webs.com' : 'none'; --> WebExplore releases from Lonnie Donegan at Discogs. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). For the next six years, Lonnie spent 335 weeks on the Official Singles chart. 1956 "Jazz Club"(? This group recorded two excellent blues numbers with Lonnie Donegan as vocal called "In the evening when de sun go down" and "The Midnight Special" After a year, Ken colyer stormed out of the group and Chris Barber took over. Decca dropped Donegan thereafter, but within a month he was at the Abbey Road Studios in London recording for EMI's Columbia label. Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. Artist descriptions on Last.fm are editable by everyone. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. He moved with his mother to London at an early age, after his parents divorced. Becky Deen 11. The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Flavour (On The Bedpost Overnight)? This is a preliminary attempt at a chronological discography. Mickey Ashman - Bass 1956 Aunt Rhody, My Old Man's A Dustman b/w The Golden Vanity, I Wanna Go Home (Wreck Of The John B.) The Sunshine Of His Love. c.November, 1957 Pinewood Film Studios, Bucks. The name stuck. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. His taste in jazz went toward Louis Armstrong and Gene Krupa. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Donegan passed away November 3, 2002, following heart problems. 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